In this work I reflect on the landscape and the diversity of sounds that can be appreciated in it. From the complexity of the cloud of sounds created by the different inhabitants of these landscapes to the industrialized "music" offered by technological advances imposed by humans, such as engines, factories or different sound devices and noise generators that modify the space.
This work shows one of the conclusions obtained from the research project developed as a final year project at the Faculty of Fine Arts in Malaga. The complete project was developed from the text of St. Teresa de Jesús of the same name, Castillo Interior.
Work influenced by various readings related to the hyperconnectivity of the Digital Age. Among these texts are Gilles Deleuze and Félix Guattari's Rhizome, Gilles Lipovetsky's The Age of Emptiness and Lawrence Lessig's The Code and Other Laws of Cyberspace.